Instruments / Gear

Electric bass

His first instrument in 1983 was a «Kay» precision copy, defretted in the vain hope of sounding like Pino Palladino or Jaco Pastorius! In 1984 he bought an «Eco» Fretless acoustic bass from a shop in Oxford and played this instrument initially with his father’s band the «Riverside Jazzmen» in Burnley. In Swansea he played an Aria Pro then a headless Gordy bought in Dawson’s in Burnley just before leaving to France. Today he mainly plays a black Rickenbacker 4003 from 1999 and a yellow Fender Jazz USA from 1978. He uses Ernie Ball «Slinky»regular gauge strings.

Double bass

His first double bass was bought in the sales at «Reedy’s» music shop in Blackburn in 1985. Since 1990 he remains faithful to a French bass from the Jacquet lutherie, made around 1880, originally a 3 string bass, the machine heads are of English fabrication. Bought in London, this bass also spent some time in Japan and is today kept in great condition thanks to luthier François Bonnier in Antony. In 1991 this bass was lent to John Ore for a Sun Ra concert and in 1998 played by Marc Johnson during a bass workshop in Capbreton.

He uses Thomastik orchestral strings.

For overseas travel he uses a folding «Volante» bass designed by Patrick Avigdor and built by Maurice Dupont in Cognac.

Pick-up

The first pick-up used was a «Polytone», bought from local bass player Norman Fisk. In Swansea he acquired the «Underwood» from Thad Kelly, using it up to 1992 when he adopted the «Shertler cork system» Since 2000 he has been using a pick-up designed by Hubert Liègois in tandem with his «Lièg» pre-amplification. In 2013 he also added the David Gage «Realist» pick-up.

Amplification

His first amp was a «Fender Sidekick 80W». In 1986 he acquired a brand new «Polytone Mini Brute1 12’» which, thanks to Hubert Leigois’ caring attention, he uses to this day. He also plays a «Walter Woods» relic from 1973 (acquired in 2001) with a Acoustic Image EX speaker or a Gallien Krueger 15’. He often uses a Acoustic Image Claris 200W head, enabling him to pass quicly from electric to acoustic in the Pee Bee.

Tuba

At the age of 16, when he started out on double bass, his dad’s band mates (Jack Moore & Keith Simpkin) used to say «Gary, when are you gonna play the real bass, the brass bass?»to which he replied «Not on your life!»

Around 2003, several factors came into play: John Surman’s album «London Brass», the film «Brassed Off» which was shot in his native North of England (call it nostalgia!), plus the need to improve his breathing while playing, all brought about the desire to learn to play a brass instrument.

Whilst teaching at «Jazz àTours», he spotted a euphonium for rent in Hall Musique. The owner Philippe Coulais immediately put him in contact with Stéphane Balzeau, Tuba professor at the Tours conservatory, and the adventure started right there….

Since 2009 he studies regularly with Olivier Bourlan, colleague at Verrières Conservatory. In 2010 he took part in a master class with Fred Wesley playing alongside the great funk trombonist with 80 other students at the Villette Jazz Festival.

In England he acquired 2 double bass Bb tubas, one of which had belonged to local musician Irvin Cole. He also plays a fibre glass Conn soussaphone.