{"id":1206,"date":"2021-04-12T23:27:54","date_gmt":"2021-04-12T23:27:54","guid":{"rendered":"http:\/\/garybrunton.com\/?page_id=1206"},"modified":"2021-04-14T08:37:52","modified_gmt":"2021-04-14T08:37:52","slug":"influences","status":"publish","type":"page","link":"https:\/\/garybrunton.com\/fr\/influences","title":{"rendered":"Influences &#038; conseils"},"content":{"rendered":"\n<p>Voici une s\u00e9lection d\u2019extraits d\u2019enregistrements mythiques qui lui ont donn\u00e9 envie de devenir bassiste, et qui l\u2019inspirent toujours\u2026<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/1Jean-Jacques-Burnell-150x150.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/1Jean-Jacques-Burnell-150x150.jpg\" alt=\"\" class=\"wp-image-1351 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Jean Jacques Burnel<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/1Jean-Jacques-Burnel-London-Lady.mp3\"><\/audio><figcaption><em><strong>\u00ab London Lady \u00bb The Stranglers<\/strong><br>de Rattus Norvegicus (United Artists, 1977)<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>\u00c0 10 ans, Gary adorait le punk \u00ab m\u00e9lodique \u00bb\u2026<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Jean Jacques Burnel \u2013 bass, lead vocal \/ Hugh Cornwell \u2013 guitar, vocal \/ Dave Greenfield \u2013 keyboards \/ Jet Black \u2013 drums<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/2Norman-Watt-Roy-150x150.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/2Norman-Watt-Roy-150x150.jpg\" alt=\"\" class=\"wp-image-1353 size-thumbnail\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Norman Watt Roy<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/2Norman-Watt-Roy-Hit-me-with-your-rhythm-stick.mp3\"><\/audio><figcaption><strong>\u00ab Hit me with your rhythm stick \u00bb Ian Dury &amp; the Blockheads<\/strong><br>de <em>7\u2019 hit single<\/em> (Stiff Records, 1978)<\/figcaption><\/figure>\n\n\n\n<p><em>\u2026 et le punk avec un peu de funk \u2026<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Norman Watt-Roy \u2013 bass \/ Chaz Jankel \u2013 keyboard, guitar \/ John Turnbull \u2013 vocals, guitar \/ John Roberts \u2013 drums \/ Micky Gallagher \u2013 keyboards \/ Ian Dury \u2013 vocal \/ Davey Payne \u2013 saxophones<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/3James-Jameson.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"619\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/3James-Jameson.jpg\" alt=\"\" class=\"wp-image-1354 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/3James-Jameson.jpg 410w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/3James-Jameson-198x300.jpg 198w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">James Jameson<\/h1>\n\n\n\n<p><em>Le plus grand&#8230;<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarques wp-block-embed-prise-en-charge-des-contenus-embarques\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"What&#039;s Going On - Isolated Bass Track (James Jamerson)\" width=\"990\" height=\"743\" src=\"https:\/\/www.youtube.com\/embed\/KqtELR5GyfI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><strong>\u00ab What\u2019s Going On \u00bb \u2013 Marvin Gaye (Isolated Bass Track)<br><\/strong>de <em>What\u2019s Going On<\/em>\u00a0(Tamla Motown, 1971)<br>Chanson \u00e9crite par Renaldo Benson.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/3James-Jameson-Little-Ole-Boy-Little-Ole-Girl.mp3\"><\/audio><figcaption><em><strong>\u00ab Little ole boy, Little Ole Girl \u00bb Marvin Gaye &amp; Tammi Terrell<\/strong><br>de United (Tamla Motown, 1967)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">James Jameson &#8211; bass \/ Marvin Gaye &#8211; vocal \/ Tammi Terrell &#8211; vocal \/ The funk brothers &#8211; other instruments<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/4Larry-Gales.jpeg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"187\" height=\"270\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/4Larry-Gales.jpeg\" alt=\"\" class=\"wp-image-1355 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Larry Gales<\/h1>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-prise-en-charge-des-contenus-embarques wp-block-embed-prise-en-charge-des-contenus-embarques\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THELONIOUS MONK   Rhythm-a-ning   London 1965\" width=\"990\" height=\"743\" src=\"https:\/\/www.youtube.com\/embed\/ZtCFjAwoZLA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><strong>\u00ab Rhythm a ning \u00bb Thelonious Monk Quartet in London<\/strong><br>de <em>Live in London<\/em> (1965)<\/figcaption><\/figure>\n\n\n\n<p><em>Une rediffusion de l\u2019\u00e9mission Jazz 625\u00a0de la BBC en\u00a01965 ; c\u2019est le swing par excellence.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Larry Gales &#8211; double bass \/ Thelonious Monk &#8211; piano \/ Charlie Rouse &#8211; tenor sax \/ Ben Riley &#8211; drums<\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/4Larry-Gales-Raise-Four.mp3\"><\/audio><figcaption><strong>\u00ab Raise Four \u00bb Thelonious Monk Quartet<br><\/strong>de <em>Underground<\/em> (Columbia, 1968)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Larry Gales &#8211; bass \/ Charlie Rouse &#8211; tenor sax \/ Thelonious Monk &#8211; piano \/ Ben Riley &#8211; drums<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Ray-Brown1-1.jpg);background-position:20% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"581\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Ray-Brown1-1.jpg\" alt=\"\" class=\"wp-image-1268 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Ray-Brown1-1.jpg 453w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Ray-Brown1-1-233x300.jpg 233w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Ray Brown<\/h1>\n\n\n\n<p><em>Lorsque le p\u00e8re de Gary \u00e9coutait un disque d\u2019Oscar Peterson avec Ray Brown, il lui arrivait de prendre son jeune fils par les pieds et d\u2019en faire une contrebasse ! Quand Gary avait 15 ans, son p\u00e8re regardait l\u2019\u00e9mission t\u00e9l\u00e9vis\u00e9e&nbsp;Jazz at the Gateway&nbsp;fort et tard le soir. Finalement, Gary a craqu\u00e9 : il&nbsp;a rejoint son p\u00e8re et commenc\u00e9&nbsp;\u00e0 prendre go\u00fbt au jazz.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/5Ray-Brown-JayBone.mp3\"><\/audio><figcaption><em><strong>\u00ab Jaybone \u00bb Milt Jackson &amp; friends<\/strong><br>de Jackson, Johnson, Brown &amp; Company (Pablo, 1983)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Ray Brown &#8211; double bass \/ Tom Ranier &#8211; piano \/ John Collins &#8211; guitar \/ Milt Jackson &#8211; vibraphone \/ JJ Johnson &#8211; trombone \/ Roy McCurdy &#8211; drums<\/p>\n\n\n\n<p><strong><em>La le\u00e7on&nbsp;de Ray Brown :<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/05\/Ray-Brown-lesson-edited.mp3\"><\/audio><figcaption><em>Ce cours a eu lieu en avril 1992 dans la chambre d\u2019h\u00f4tel de Ray, \u00e0 Montparnasse.<\/em><\/figcaption><\/figure>\n\n\n\n<p><em><strong><em><strong>Les conseils de <\/strong><\/em>Ray Brown :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Travailler l\u2019accompagnement, le tempo (plus que les solos).<\/li><li>Apprendre les standards par coeur, en chantant la m\u00e9lodie dans toutes les tonalit\u00e9s.<\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/6Red-Mitchell.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"731\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/6Red-Mitchell.jpg\" alt=\"\" class=\"wp-image-1356 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/6Red-Mitchell.jpg 722w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/6Red-Mitchell-296x300.jpg 296w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/6Red-Mitchell-624x631.jpg 624w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Red Mitchell<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/6Red-Mitchell-sings-Tony-Fruscella-solo.mp3\"><\/audio><figcaption><em><strong>Relev\u00e9 solo de Tony Fruscella \u00ab Simple isn\u2019t easy \u00bb<\/strong><br>de Simple isn\u2019t easy (Sunnyside, 1983)<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>Red a chant\u00e9 ce solo avec la bande pendant l\u2019entracte d\u2019un concert de Helen Merrill au New Morning dans les ann\u00e9es 1990.<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Red Mitchell &#8211; words &amp; vocal \/ Tony Fruscella &#8211; trumpet \/ from Simple isn\u2019t easy (Sunnyside 1983)<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/JF-Jenny-Clark.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"475\" height=\"474\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/JF-Jenny-Clark.jpg\" alt=\"\" class=\"wp-image-1267 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/JF-Jenny-Clark.jpg 475w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/JF-Jenny-Clark-150x150.jpg 150w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/JF-Jenny-Clark-300x300.jpg 300w\" sizes=\"auto, (max-width: 475px) 100vw, 475px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Jean Fran\u00e7ois Jenny Clark<\/h1>\n\n\n\n<p><em>Un homme d\u2019une extr\u00eame gentillesse et d\u2019une grande exigence. Deux cours avec lui, en 1990, suffirent pour mettre en \u00e9vidence l\u2019exemple \u00e0 suivre\u2026<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/7Jean-Franc\u2560\u00baois-Jenny-Clark-Scott.mp3\"><\/audio><figcaption><em><strong>\u00ab Scott \u00bb Unison solo album<\/strong><br>de Unison&nbsp;(CMP Records, 1987)<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>Hommage \u00e0 la l\u00e9gende de la contrebasse, <em>Scott LaFaro<\/em>.<\/em><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/8George-Mraz.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1014\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/8George-Mraz.jpg\" alt=\"\" class=\"wp-image-1270 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/8George-Mraz.jpg 684w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/8George-Mraz-202x300.jpg 202w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/8George-Mraz-624x925.jpg 624w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">George Mraz<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/8George-Mraz-solo-on-Confirmation.mp3\"><\/audio><figcaption><em><strong>\u00ab Confirmation \u00bb Tommy Flanagan trio<\/strong><br>de Eclypso (Enja, 1977)<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>C\u2019est le solo de contrebasse qui a boulevers\u00e9 Gary\u2026<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">George Mraz &#8211; double bass \/ Tommy Flanagan &#8211; piano \/ Elvin Jones &#8211; drums<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Thierry-Barb\u00e9-Jazzman-1.jpg);background-position:50% 10%\"><img loading=\"lazy\" decoding=\"async\" width=\"579\" height=\"971\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Thierry-Barb\u00e9-Jazzman-1.jpg\" alt=\"\" class=\"wp-image-1266 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Thierry-Barb\u00e9-Jazzman-1.jpg 579w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Thierry-Barb\u00e9-Jazzman-1-178x300.jpg 178w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Thierry Barb\u00e9<\/h1>\n\n\n\n<p><em>Le&nbsp;professeur classique de Gary \u00e0 Paris. Il insistait sur une bonne technique et l\u2019ouverture d\u2019esprit.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/9Thierry-Barbe\u2560\u00fc-Misty.mp3\"><\/audio><figcaption><em><strong>\u00ab Misty \u00bb Thierry Barb\u00e9 \u00abNomade\u00bb<\/strong> <\/em><br><em>de Nomade<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Thierry Barb\u00e9 &#8211; double bass \/ Karine Roze &#8211; piano<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/10Charlie-Haden-693x1024.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"693\" height=\"1024\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/10Charlie-Haden-693x1024.jpg\" alt=\"\" class=\"wp-image-1349 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/10Charlie-Haden-693x1024.jpg 693w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/10Charlie-Haden-203x300.jpg 203w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/10Charlie-Haden-624x921.jpg 624w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/10Charlie-Haden.jpg 794w\" sizes=\"auto, (max-width: 693px) 100vw, 693px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Charlie Haden<\/h1>\n\n\n\n<p><em>Une master class avec lui \u00e0 Bagnolet, en 1989, mit en lumi\u00e8re l\u2019importance&nbsp;de transmettre un discours profond \u00e0 travers son instrument ; il invitait&nbsp;\u00e9galement \u00e0 \u00eatre tr\u00e8s soucieux&nbsp;de la qualit\u00e9 du son.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/10Charlie-Haden-Anthropology.mp3\"><\/audio><figcaption><em><strong>\u00ab Anthropology \u00bb Art Pepper Artworks<\/strong><br>de Artworks (Artists House, 1979)<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><em><strong>&nbsp;<\/strong><\/em>Charlie Haden &#8211; double bass \/ Art Pepper &#8211; clarinet \/ Billy Higgins &#8211; drums<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/11Reggie-Workman.jpeg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"187\" height=\"269\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/11Reggie-Workman.jpeg\" alt=\"\" class=\"wp-image-1348 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Reggie Workman<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/11Reggie-Workman-Footprints.mp3\"><\/audio><figcaption><strong>\u00ab Footprints \u00bb Wayne Shorter<br><\/strong>de Adam\u2019s Apple (Blue Note, 1966)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Reggie Workman &#8211; double bass \/ Wayne Shorter &#8211; tenor saxophone \/ Herbie Hancock &#8211; piano \/ Joe Chambers &#8211; drums<\/p>\n\n\n\n<p><strong><em>Les conseils de Reggie Workman<\/em><\/strong><em><strong> :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Se rendre compte de la chance de pouvoir \u00e9tudier.<\/em><\/li><li><em>Se donner les moyens d\u2019acqu\u00e9rir une bonne technique instrumentale.<\/em><\/li><li><em>S\u2019int\u00e9resser \u00e0 toutes les musiques.<\/em><\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/12Marc-Johnson.jpeg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"160\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/12Marc-Johnson.jpeg\" alt=\"\" class=\"wp-image-1347 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Mark Johnson<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/12Marc-Johnson-If-There-Is-Someone-Lovelier-Than-You.mp3\"><\/audio><figcaption><strong><strong>\u00ab If there is someone lovelier than you \u00bb Enrico Pieranunzi Trio<\/strong><br><\/strong>de <em>New Lands<\/em> (Timeless, 1984)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Marc Johnson &#8211; bass \/ Enrico Pieranunzi &#8211; piano \/ Joey Baron &#8211; drums<\/p>\n\n\n\n<p><em><strong><em><strong>Les conseils de <\/strong><\/em>Mark Johnson :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><em>Bien ressentir le rythme dans les deux mains<\/em>.<\/em><\/li><li><em><em>Jouer de l\u2019archet<\/em><\/em>.<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Paul-Motian-Marc-Johnson1.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"239\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Paul-Motian-Marc-Johnson1.jpeg\" alt=\"\" class=\"wp-image-1288\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Paul-Motian-Marc-Johnson1.jpeg 320w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Paul-Motian-Marc-Johnson1-300x224.jpeg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/a><figcaption>Paul Motian et Mark Johnson au festival de contrebasse de Capbreton en 1998<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/16Gary-Peacock.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"576\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/16Gary-Peacock.jpg\" alt=\"\" class=\"wp-image-1343 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/16Gary-Peacock.jpg 576w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/16Gary-Peacock-150x150.jpg 150w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/16Gary-Peacock-300x300.jpg 300w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Gary Peacock<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/16Gary-Peacock-St.-Helens.mp3\"><\/audio><figcaption><strong><strong>\u00ab St Helens \u00bb Ralph Towner &amp; Gary Peacock<\/strong><br><\/strong>de <em>Oracle<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>Magnifique duo contrebasse\/guitare.<\/em><\/p>\n\n\n\n<p><strong><em><strong>Les conseils de <\/strong>Gary Peacock :<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Une fausse note (intonation) a le droit d\u2019exister. Ne pas toujours chercher \u00e0 bien jouer.<\/em><\/li><li><em>Accepter (m\u00eame si m\u00e9diocre) et aimer ce qu\u2019on improvise de mani\u00e8re spontan\u00e9e.<\/em><\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Pierre-Michelot-1.jpg);background-position:10% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"777\" height=\"781\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Pierre-Michelot-1.jpg\" alt=\"\n\" class=\"wp-image-1342 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Pierre-Michelot-1.jpg 777w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Pierre-Michelot-1-150x150.jpg 150w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Pierre-Michelot-1-298x300.jpg 298w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/Pierre-Michelot-1-624x627.jpg 624w\" sizes=\"auto, (max-width: 777px) 100vw, 777px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Pierre Michelot<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/13Pierre-Michelot-Willow-Weep-For-Me.mp3\"><\/audio><figcaption><strong>\u00ab Willow weep for me \u00bb Dexter Gordon\u00a0<\/strong><br>de <em>Our man in Paris<\/em> (Blue note, 1963)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Pierre Michelot &#8211; double bass \/ Dexter Gordon &#8211; tenor sax \/ Bud Powell &#8211; piano \/ Kenny Clark &#8211; drums<\/p>\n\n\n\n<p><em><strong><em><strong>Les conseils de <\/strong><\/em>Pierre Michelot :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em><em>\u00ab Une ligne de basse \u00ab\u00a0walking\u00a0\u00bb doit \u00eatre une m\u00e9lodie \u00e0 part enti\u00e8re. \u00bb<\/em><\/em><\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/14Henri-Texier-Steve-Swallow-1024x603.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"603\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/14Henri-Texier-Steve-Swallow-1024x603.jpg\" alt=\"\" class=\"wp-image-1346 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/14Henri-Texier-Steve-Swallow-1024x603.jpg 1024w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/14Henri-Texier-Steve-Swallow-300x176.jpg 300w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/14Henri-Texier-Steve-Swallow-624x368.jpg 624w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/14Henri-Texier-Steve-Swallow.jpg 1170w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Henri Texier<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/14Henri-Texier-Steve-Swallow-Bitter-homes-and-gardens.mp3\"><\/audio><figcaption><strong>\u00ab Bitter homes and gardens \u00bb<br><\/strong>de Izlaz (Label Bleu, 1988)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Henri Texier &#8211; double bass \/ Steve Swallow &#8211; bass \/ Joe Lovano &#8211; tenor sax \/ Aldo Romano &#8211; drums<\/p>\n\n\n\n<p><em><strong>Les conseils de Henri Texier :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Il n\u2019y a rien de plus important que \u00ab Le son \u00bb.<\/em><\/li><li><em>La justesse et le tempo doivent rester infaillibles.<\/em><\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/15Dave-Holland2-658x1024.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"658\" height=\"1024\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/15Dave-Holland2-658x1024.jpg\" alt=\"\" class=\"wp-image-1345 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/15Dave-Holland2-658x1024.jpg 658w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/15Dave-Holland2-192x300.jpg 192w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/15Dave-Holland2-624x971.jpg 624w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/15Dave-Holland2.jpg 784w\" sizes=\"auto, (max-width: 658px) 100vw, 658px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Dave Holland<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/15Dave-Holland-Interface.mp3\"><\/audio><figcaption><strong>\u00abInterface\u00bb Hank Jones<br><\/strong>de The Oracle (Emarcy, 1989)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Dave Holland &#8211; double bass \/ Hank Jones &#8211; piano \/ Billy Higgins &#8211; drums<\/p>\n\n\n\n<p><em><strong>Lesson with Dave Holland&nbsp;:<\/strong><\/em><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/05\/Dave-Holland-modal-bass-playing.mp3\"><\/audio><figcaption><em>Cette master class a eu lieu au festival de Parthenay en juillet 1992.<\/em><\/figcaption><\/figure>\n\n\n\n<p><em><strong><em><strong>Les conseils de <\/strong><\/em>Dave Holland :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Trouver le mode de jeu qui convient \u00e0 la musique jou\u00e9e. La musique du pass\u00e9 (les voicings de l\u2019orchestre d\u2019Ellington, par exemple) a sa place dans la musique d\u2019aujourd\u2019hui.<\/em><\/li><li><em>Ne pas s\u2019auto-critiquer en jouant.<\/em><\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/17With-Ricardo-del-Fra-in-1998-1024x977.jpg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"977\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/17With-Ricardo-del-Fra-in-1998-1024x977.jpg\" alt=\"\" class=\"wp-image-1344 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/17With-Ricardo-del-Fra-in-1998-1024x977.jpg 1024w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/17With-Ricardo-del-Fra-in-1998-300x286.jpg 300w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/17With-Ricardo-del-Fra-in-1998-624x595.jpg 624w, https:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/17With-Ricardo-del-Fra-in-1998.jpg 1047w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">Riccardo del Fra<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/17Riccardo-del-Fra-My-Funny-Valentine.mp3\"><\/audio><figcaption><strong>\u00ab My Funny Valentine \u00bb<br><\/strong>de Sings again (Timeless, 1985)<\/figcaption><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Riccardo del Fra &#8211; double bass \/ Michel Grailler &#8211; piano \/ Chet Baker &#8211; trumpet \/ John Engels &#8211; drums<\/p>\n\n\n\n<p><em><strong><em><strong>Le conseil de <\/strong><\/em>Riccardo del Fra :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><em>Si tu n\u2019as plus rien \u00e0 dire (dans ton solo), tais-toi !<\/em><\/li><\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-image-fill\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\" style=\"background-image:url(http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/05\/Dad-clarinet-good-res-.jpeg);background-position:50% 50%\"><img loading=\"lazy\" decoding=\"async\" width=\"222\" height=\"342\" src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/05\/Dad-clarinet-good-res-.jpeg\" alt=\"\" class=\"wp-image-1362 size-full\" srcset=\"https:\/\/garybrunton.com\/wp-content\/uploads\/2014\/05\/Dad-clarinet-good-res-.jpeg 222w, https:\/\/garybrunton.com\/wp-content\/uploads\/2014\/05\/Dad-clarinet-good-res--194x300.jpeg 194w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\">John Brunton Sr (son p\u00e8re)<\/h1>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2014\/06\/19John-BruntonSr-Perdido-Street-Blues.mp3\"><\/audio><figcaption><strong>Perdido St Blues<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/garybrunton.com\/wp-content\/uploads\/2013\/12\/My-Blue-Heaven.mp3\"><\/audio><figcaption><strong>My Blue Heaven<\/strong><\/figcaption><\/figure>\n\n\n\n<p><em>Les parents ont toujours beaucoup soutenu son d\u00e9veloppement musical. Ses souvenirs d\u2019enfance sont remplis du son de la clarinette et du saxophone baryton de son p\u00e8re.<\/em><\/p>\n\n\n\n<p><em><strong><em><strong>Les conseils de <\/strong><\/em>John Brunton Sr :<\/strong><\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>\u00ab Varie le mode de jeu d\u2019accompagnement \u00e0 la basse (m\u00e9lange des choses, ne walk pas tout le temps) \u00bb<\/li><li>\u00ab Attention que le volume de l\u2019ampli ne soit pas trop fort ! \u00bb<\/li><\/ul>\n<\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Voici une s\u00e9lection d\u2019extraits d\u2019enregistrements mythiques qui lui ont donn\u00e9 envie de devenir bassiste, et qui l\u2019inspirent toujours\u2026<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1206","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Influences &amp; 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